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Piano Restoration: A Lost Art - The AB Chase Upright




Antique upright piano dating

Antique upright piano dating


Some frames were also made with the frame right up to the top, but with an open wrestplank. We receive more enquiries about Eavestaff pianos than most other makes, but no archives are available, and their serial numbers run in several separate sequences, most do not correspond to the published information, so dating is sometimes difficult, but some dates of Eavestaff numbers may be found on our Numbers page… http: Lynnedor enquired on the Piano History Forum about a Brinsmead which, unusually, has a copy of a Victorian painting 'Andromache in Captivity' by Frederic Leighton as its middle panel, and very large sconce brackets either side. They were subject to severe heat and cold and were often placed near wood stoves in the winter and and open windows in the summer. Others include the Europe Piano Atlas, and also the Musicians' Piano Atlas, for which I supplied amendments, and an appendix with action and key numbers, although that information has been updated and improved in this page. Originally, they had stands which allowed a pedal to be attached to the bottom of the piano, but many have now lost them, and some stands have been replaced by tables or cupboards. We suggest you contact your local piano technican for information about them. By the seventies, pianos bearing the Eavestaff name were imported. A few firms, including Morley and Rippen, made grand-shaped uprights. They are behind a little flap under the keyboard and very inconvenient to tune. Around , Murdochs' ad boasted "fifty thousand pianos in use" and perhaps Spencer, whom they took over, had made that many, but it is quite likely that the statement was just based on their serial numbers. These virgin forests were so densely populated with growth that a tree would be forced to grow very slowly as it struggled for sunlight.

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Antique upright piano dating. Antique Shops in West & South Yorkshire.

Antique upright piano dating


Some frames were also made with the frame right up to the top, but with an open wrestplank. We receive more enquiries about Eavestaff pianos than most other makes, but no archives are available, and their serial numbers run in several separate sequences, most do not correspond to the published information, so dating is sometimes difficult, but some dates of Eavestaff numbers may be found on our Numbers page… http: Lynnedor enquired on the Piano History Forum about a Brinsmead which, unusually, has a copy of a Victorian painting 'Andromache in Captivity' by Frederic Leighton as its middle panel, and very large sconce brackets either side. They were subject to severe heat and cold and were often placed near wood stoves in the winter and and open windows in the summer. Others include the Europe Piano Atlas, and also the Musicians' Piano Atlas, for which I supplied amendments, and an appendix with action and key numbers, although that information has been updated and improved in this page. Originally, they had stands which allowed a pedal to be attached to the bottom of the piano, but many have now lost them, and some stands have been replaced by tables or cupboards. We suggest you contact your local piano technican for information about them. By the seventies, pianos bearing the Eavestaff name were imported. A few firms, including Morley and Rippen, made grand-shaped uprights. They are behind a little flap under the keyboard and very inconvenient to tune. Around , Murdochs' ad boasted "fifty thousand pianos in use" and perhaps Spencer, whom they took over, had made that many, but it is quite likely that the statement was just based on their serial numbers. These virgin forests were so densely populated with growth that a tree would be forced to grow very slowly as it struggled for sunlight.

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